Taiwanese students learn the art of bronze sculpture in the mainland 冀 “Bridge” cross-strait cultural exchange

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"(This training class) is a good learning opportunity for the development of cross-strait cultural innovation, and also an opportunity for future cooperation." Chen Zhenghong, chairman of Taiwan's Jinsuiyu Co., Ltd., said in an interview with Zhongxin.com on the 2nd.

On the 2nd, the opening ceremony of the bronze sculpture art talent training project funded by the National Arts Foundation was held in Hangzhou, Zhejiang Province. This is the first professional student recruited nationwide in the 66 years since the founding of the People's Republic of China. After careful selection and review, 32 students were admitted. The trainees accepted the project training.

On the same day, 32 students from Zhejiang, Hunan, Jiangsu, Henan, and Taiwan participated in the mobilization. Some of the trainees are the second generation of the traditional metal craftsmanship, including the Cantonese-style bronze sculpture, the Wutong silver, the Miao silver, the enamel, the crystal, the wrought iron and other intangible cultural heritage inheritors and leading figures, as well as the colored glass. Designers, metal research artists, jewelry designers, swordsmiths, sculpture teachers, and masters and graduate students.

According to reports, the teaching foundation of the bronze sculpture art talent training project of the national project first selected the national non-remaining representative - the only inheritor of the bronze sculpture field, Zhu Bingren and his artistic heritage and innovation base - located in Hangzhou Hefang Street. Museum of Copper Sculpture Art.

The old Chinese name "Zhufu Copper Art" was created during the Tongzhi Period of the Qing Dynasty. Zhu Bingren is a fourth-generation successor and is known as the "father of contemporary Chinese copper architecture."

"Training classes are carried out at the national level with the craftsmanship and the cultivation of talents. There are many people in Taiwan who are applying for registration. They are also very interested. They want to know the culture of the mainland in Wenchuang, especially the culture of inheritance. The carving is also very interesting." Zhu Bingren said.

"(Participating in the training class) is really a happy thing that many people envy." When talking about the original intention of coming to the training class, Chen Zhenghong said that the training course is a talent training course established by the National Art Foundation. Not only can I learn concepts and ideas from artist Zhu Bingren, but I also have access to many masters, rich courses, and can learn from other students.

Another Taiwanese student from the training class, Huang Shufen, the head of the 50 Wenchuang Company in Taiwan, also praised the training course. She said, "(This training class) is very good and can (better) pass on Chinese culture."

"The mainland's emphasis on the development of the cultural industry is increasing day by day." Chen Zhenghong said that there is a big difference between the mainland and Taiwan's non-legacy protection. Taiwan's inheritance in terms of technology is doing very well, but it rarely sees the government's inheritance in craftsmanship. When he first came to the mainland, he felt the mainland's desire for cultural heritage. The government also carefully guided the inheritance of craft culture.

Zhu Bingren said that the inheritance of Taiwanese culture is better, it is in line with international standards, and the international concept is transformed with Chinese traditional culture. The cultural and creative institutions and cultural and creative associations are also very active, but the overall development of Taiwan's cultural innovation needs further development. Communicate with the mainland culture.

Chen Zhenghong is also the chairman of the China International Economic and Trade Promotion Association and the chairman of the China Art and Culture Tourism Economic Development Association. This time, I will attend the training class. He hopes to bring the learned technical concepts back to Taiwan, exchange ideas with Taiwanese artists, and bring them to the mainland. He hopes that he can act as a docking person in the future and make his due contribution to the cultural exchanges between Taiwan and Taiwan.

Huang Shufen also hopes that he can become the person who bridges the cross-strait culture and promote cross-strait culture to communicate more frequently.


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