In the 1920s, Mr. Sun Zhongshan took the suit and the popular costumes of “Nanling Wenzhuang†as the basis for the overseas Chinese in Nanyang, combined Chinese traditional aesthetic concepts and considered the specific functions, using the “Cutting Methods†for tailoring. The method has been designed to create "new clothes" suitable for Chinese people. As Mr. Sun Yat-sen's creation and pioneering model and strongly advocated, so the "new clothing" named "Zhongshanzhuang." Due to the successful integration of the needs of the three main bodies that embody the traditional aesthetic spirit of the Chinese nation, the idea of ​​conforming with the social revolution, and meeting the needs of the needs of the times, the Chinese clothing was accepted and accepted by the general public. The costumes of all ethnic groups are not only the inheritance of traditional costumes, but also the connotation of the spirit of traditional costumes. Clothing has always been of great importance to the continuation and development of Chinese civilization. It is an important part of Chinese culture, and at the same time it is the dominant expression of the most innovative spirit and creativity of Chinese civilization. Therefore, in the new historical period, how to further promote the heritage, dissemination, and innovation of traditional dress culture as a cultural identity has become a new era issue. The formation and development process of the tunic structure was deeply influenced by traditional culture. The four pockets of its predecessor represented the "four dimensions of the country," and the top five buttons symbolized the "discretion of five powers." Three cuffs on the cuffs represented "Three People's Principles," and the upper pocket was small. The inverted-shaped frame-shaped bag cover means that the Chinese revolution needs to rely on intellectuals. This metaphorical approach is the most representative feature of Chinese traditional dress culture and costume aesthetic thinking. The closed lapels and front buttons are tied with five buttons, which reflects the spirit of Chinese traditional culture in which they are moderate, tough, and upright. Only with cultural self-confidence can there be cultural innovation and cultural self-reliance. With the Chinese traditional spirit as its connotation, the Chinese ensemble incorporates the styling of foreign clothing and its technical means, which is of great significance for the development of Chinese-style clothing in the new era. On this occasion to commemorate the 150th anniversary of Sun Yat-sen's birth, we relive the cultural connotation of the tunic and demonstrate cultural self-confidence. We must also learn from Mr. Sun Yat-sen's spirit of continuous advocacy and trials, and give full play to the role of clothing as an explicit sign of cultural self-confidence. Want to learn more about buttons: accessible 1600Mm Nonwoven Lines,Superior Non-Woven Fabric Machine,Strong Non-Woven Fabric Machine,Durable Non-Woven Fabric P Machine Changzhou Xinzhongshun Nonwoven Machinery Co., Ltd. , https://www.xzsnonwovenmachine.com