Shoushan stone carving is a wonderful flower in the Oriental Art Bai Garden, and its art has a long history. When we went to appreciate the colorful and crystal-clear Shoushan stone carving art, we probably never thought that Shoushan Stone was widely used before 1500, but it was only used as a simple living tool.

From 1954 to 1965, archaeologists discovered the sculptures of "Shoushan Stone Pig" in the tomb of Nanchao at the Taohuashan site in Cangshan, Fuzhou, and the Erfengshan site in the northern suburbs. However, the works were mostly simple and rough, and the funerary objects were simple animals. Character ä¿‘. The Shoushan stone carving at that time has become a symbolic custom of folk culture.

In the Tang Dynasty, the “Guangying Temple” in Shoushan Township, Beifeng, Fuzhou, has used Shoushan Stone to engrave some religious and cultural items such as incense burners. In the Song Dynasty, with the development of Shoushan stone carving techniques, we can already see that the works of Shoushan stone carvings at that time not only made great progress in the craft, but also the subject matter is not limited to the simple animal 俑, character 俑 form with only funerary objects. During this period, there was a realistic style, and the beginning of the Shoushan Stone works with decorative meaning appeared. From the technique of the engraving process, it can be seen that the engraving tool also has a great improvement. In the Yuan Dynasty, Shoushan Stone began to be used as a seal by literati. Since then, Shoushan Stone Culture has officially entered the field of social culture and art and has been used by scholars. The Shoushan stone seal and button craft of the Ming Dynasty have been roughly similar to today's engraving techniques. The appearance of the engraved side was also used as a carrier of emotions and ambitions by the literati. The famous poet Li Wei of the Ming Dynasty, Li Wen, and Zhu Wen, Zhuo Wu, are two chapters of the Shoushan Stone Carvings. They have been directly used as a culture to enter the early Chinese culture. In the Qing Dynasty, with the love of the emperors, the art of Shoushan stone carving reached the most glorious era in history.

After Shoushan Stone was loved by the world, a number of Shoushan stone carving masters appeared in Fujian's hometown of Fujian. Their respective styles emerged, and two major schools of Shoushan Stone Carving were produced: “East Gate School” and “Ximen School”. Lin Qianpei, the leader of the "East Gate School", is mainly engraved as a button for characters, animals, and stone medals. The representative figure of "Ximen School" is Pan Yumao. His style is simple and round, smooth and smooth. Therefore, the development of Shoushan stone carving in Fuzhou originated from these two schools. The unique art carving style is different from other categories, so it is only unbeaten that the art of Chinese carving culture has been established.

There are many kinds of carving techniques for Shoushan Stone: it has been developed and matured for more than 1,500 years, mainly for carving techniques such as round carving, relief carving, openwork, printing buttons, thin and micro-carving. Here I mainly talk about the carving technique and technique of "thin meaning".

The "thin meaning" carving of Shoushan Stone has its objective reasons. Because Shoushan Stone has more than 150 varieties. Among them, precious stone species are rare due to low production, such as Tian Huangshi. The reserves are only one ton, which is expensive and is priced by weight. At present, Keshi Huangshi has nearly 200,000 yuan at the auction, so there is a saying that "the carving people don't dare to swear, and the trial surface is divided." Because of its preciousness, people are reluctant to do too much excavation, and most of them try to keep the original shape and weight of the stone. The stone carving artists use the "flat thin" shallow carving to engrave on a thickness of only one millimeter, showing the rich and exquisite patterns of landscapes, flowers, birds, figures, etc., and creating a unique "thin" technique by means of a knife and a pendulum. In many carving art, only Shoushan stone carving has the technique of “thin meaning”. The technique of "thin meaning" has to say a character in the history of Fuzhou carving, the master of Lin Qingqing in the western suburbs of Fuzhou. He is intelligent and wise, and he is a poetry and calligraphy artist. He is employed by the famous carving artist Chen Keying. Chen Keying is good at flat bas-relief bas-relief. Master Lin Qingqing inherited this method and blended the essence of Chinese painting and portrait bricks. Using his own skillful knife method to make the bas-relief thinner, it is more vivid than the Pan Yumao brothers who first created the "thin", and the carving is thinner, and the volume, level and content are more perfect. Since then, people have taken the initiative of Lin Qingqing's thin techniques.

Shi Xiuzuo

The creation of art stems from the attitude of the sculptor to life, the feeling of the world, the inner experience, the sublimation of emotion, and the crystallization of the accumulation of hard work for many years. The long-term masters of Shoushan stone carving art have produced many works of art with different styles and forms. Therefore, the Fuzhou craftsmen who are among the best in the world in the engraving world have put forward the concept of "the world stone, Fuzhou workers". It is not a style and form that is simply pursued. Its connotation is far-reaching. It is also because of the inheritance of history and the results of the exploration of sculpture techniques by successive carving masters. A Shoushan stone carving work highlights the author's personality characteristics, and gives a strong vitality to flow through the ages and is loved by the world. The important value lies in inheriting the culture and developing the best way of expression is the author's unique personality, in order to be rewarded by the world.

Nowadays, with the increasing interest in Shoushan stone carving culture and art, major news media have reported that Shoushan Stone enthusiasts have established major websites. Let more people in the world know about Shoushan Stone and provide a solid foundation for the inheritance and development of Shoushan Stone Culture and Art. It is undoubtedly of great significance to the flourishing development of Shoushan Stone. “In the past, Wang Xietang’s former Yan, flew into the homes of ordinary people”, with the continuous improvement of people’s living standards, Shoushan Stone has become a favorite cultural collection. With the inheritance of the "Shoushan Treasures" and "National Colors" Shoushan Stone Industry and Shoushan Stone Culture, the culture of the Chinese nation will surely add glory to the world's national culture and art.

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